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Jazz Theory
SUBJECT INDEX
Part 2 (L - Z)

A - B - C - D - E - F

G - H - I - J - K - L

M - N - O - P - Q - R

S - T - U - V - WXYZ


Lesson | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | ?? |


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L.

Latin songs - JT 12.6b - JT 17.3c - JT 6.5

leading note (subtonic) note terminlology for the major scale

left hand chords on keyboard (range) - JT 6.3a

Lesson Materials (explanation) - Intro.6
devices - Intro.3a
reference books - Intro.8

Locrian mode - JT 14.9 - JT 14.2b
chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a

Locrian #2 scale - JT 20.5a

Lonesome Bossa (song) - JT 17.3c

Lydian Augmented scale - JT 20.5a

Lydian mode - JT 14.6 - JT 14.2b- JT 19.3a
chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a

Lydian Dominant scale - JT 19.3a - JT 20.5a - JT 20.5b

Lydian payment system - JT 14.6

lyre (ancient Greek instrument) - JT 2.2



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M.

major
intervals - JT 3.4
scale intervals - JT 3.4a
7th chord - JT 8.2
6 and 69 chords - JT 20.1 - JT 8.8
tetrachord - JT 2.2 - JT 18.2b
triad - JT 5.2

major scale - JT 2.3
Circle of 5ths perspective - JT 13.2a - JT 13.2b
Ionian mode - JT 14.2b - JT 14.2d
major scale / chord combination - JT 15.1a - JT 16.2
relationship with the pentatonic scale - JT 13.1
scale-tone chord progression - JT 13.3 - JT 13.3a - JT 13.4
scale-tone triad chords - JT 6.4 - JT 6.4a

major pentatonic scale - JT 11.2 - JT 20.1 - JT 20.3
Circle of 5ths perspective - JT 13.2
practice - JT 11.4

Marks & Simons - JT 10.6a

Maiden Voyage (song) - JT 20.3a

mediant - scale-tone terminology for the major scale

Meditation (song) - JT 17.3c

melodic minor scale (Jazz version) - JT 18.1 - JT 18.1a - JT 18.2a
Melodic minor Scale Ruler
modes of the melodic minor scale - JT 20.5 - JT 20.5a
use in improvisation - JT 18.3d

melodic intervals - JT 1.1

melody
Table with songs - Studio One
the three levels of a song - Intro.2

Mercer, Johnny - JT 10.6a - JT 13.4 - JT 13.4a - JT 136c - JT 13.QA

Messiaen, Olivier - JT 1.3c

minim (note length) - note & rest values

minor
definition of a minor scale - JT 18.2
intervals - JT 4.2 - JT 4.3 - JT 4.8
minor Major 7th chord - JT 17.3a - JT 18.4 - JT 18.5a
7th chord - JT 8.4
6 and 69 chords - JT 8.8 - JT 20.1a
triad - JT 5.3

minor blues - JT 20.6 - Blues for Wally

minor pentatonic scale - JT 11.5 - JT 11.7a - JT 18.2

minor 7-note scales - JT 18
Aeolian mode (natural minor scale) - JT 14.8 - JT 17.1
Dorian mode - JT 14.4 - JT 14.2b
harmonic minor scale - JT 17.2 - JT 17.3 - JT 17.5
melodic minor scale (Classical version) - JT 18.1a
melodic minor scale (Jazz version) - JT 18.1 - JT 18.1a
Phrygian mode - JT 14.5 - JT 14.2b

Mixolydian mode - JT 14.7 - JT 14.2b
chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a - JT 16.2

modes - JT 14
chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a
Church modes - JT 14.2c
diatonic modes - JT 13.2b
Greek modes - JT 14.2
harmonic minor scale modes - JT 17.5a
major scale modes - JT 14 - JT 14.2b - JT 13.2b - names
melodic minor scale modes - JT 20.5 - JT 20.5a
modes for Jazz improvisation - JT 15.3

modal - JT 11.1 - JT 14.2d

modulation - JT 12.5 - JT 12.6a - JT 13.4a - JT 19.3c

Monk, Thelonius - JT 16.4a - JT 16.Qd - JT 16.QA

Monochord (of Pythagoras) - JT 3.3a - JT 13.1a

motif - JT 11.7

music
modal music - JT 11.1 - JT 14.2d
notation for all instruments - Intro.5
the three levels of a song - Intro.2

My Funny Valentine (song) - JT 17.3c - JT 18.4a


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N.

natural minor scale - JT 17.1

notation of songs for all instruments - Intro.5

note
blue notes - JT 7.6
note & rest length (names) - note & rest values
terminology for the major scale
tonic - JT 2.3a



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O.

off-beat and on-beat quavers (half-beat notes) - JT 6.5

Oleo (song) - JT 10.6a

Once I Loved (song) - JT 17.3c

One Note Samba (song) - JT 11.QA

open position (chord voicings) - JT 6.3

organum - JT 9.5a

origin
of scales - JT 11.1
of the blues - JT 7.1

Overtones - JT 9 - JT 10.1
Overtone Series - JT 9.1



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P.

'parent' (overtone) - JT 9.6

partials (overtone) - JT 9.2a

pentatonic scales - JT 11
major pentatonic - JT 11.2
minor pentatonic - JT 11.5
practice - JT 11.4

perfect
Perfect Cadence - JT 7.4b - JT 10.QA
perfect intervals - JT 3.3 - JT 9.5

Phrygian tetrachord - JT 2.2 - JT 18.2b

Phrygian mode - JT 14.5 - JT 14.2b - JT 14.1 - JT 18.2a
chord / mode relationship - JT 15.1 - JT 15.1a - JT 15.2a
use in improvisation - JT 18.3e

Plagal Cadence - JT 7.4a - JT 10.QA

plainsong - JT 9.5a - JT 14.2

plurality (of chords) - JT 19.3

Pop songs - JT 6.5

Powell, Bud - JT 11.7a

Practice routines
pentatonic scales - JT 11.4
7th chords - JT 8.7a - JT 12.2
triad chords - JT 5.6a
Song Practice - JT 6.5
IIm7 - V7 - Imaj7 progression - JT 16.5
IIø - V7 - Im progression - JT 17.4
IIø - V7b9 - Im7 progression - JT 17.4a

Prelude
No.1 (J.S. Bach) - JT 10.5 - JT 13.4a
No.7 (F.Chopin) - JT 10.5a

Primary triads - JT 7.4

Pythagoras - JT 3.3a - JT 13.1a - JT 14.2



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Q.

quarter note (note length) - note & rest values

quaver (note length) - note & rest values
swing quavers - JT 6.5



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R.

release chords and tension chords - JT 20.4

rest & note length (names) - note & rest values

'Rhythm bridge' - JT 12.QA2

Rhythm Patterns (for song practice) - JT 6.5

Riffs - JT 11.7

right hand chords on keyboard (range) - JT 6.3b

Rollins, Sonny - JT 10.6a - JT 11.7a

root (of chord)
(single note) exercises on the Circle of 5ths - JT 10.7
exercises of songs - JT 6.5
position (chords) - JT 6.1

Rulers - for Chords, scales and modes in all keys Intro.3a



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S.

Saint Ambrose - JT 14.2c

Satie, Erik - JT Intro.7

Satin Doll (song) - JT 13.4a - JT 16.Qa - JT 19.5a

scale
blues scale - JT 7.6 - JT 11.6 - JT 11.7a
chord / scale (or mode) combinations - JT 15.3 - JT 16.2
chromatic scale - JT 1.2
8-note diminished scale - JT 1.4a - JT 15.4 - JT 18.2
8-note dominant scale - JT 1.4 - JT 15.4a - JT 17.3c - JT 18.2 - JT 20.4b
for improvisation - JT 15.3 - JT 15.2a - JT 20.4a - JT 20.5b
general purpose - JT 2.1
major scale - JT 2.3
major pentatonic scale - JT 11.2
minor pentatonic scale - JT 11.5 - JT 11.7a
minor 7-note scales - JT 18 - JT 18.2a - JT 18.3
Lydian dominant scale - JT 20.5b
origin - JT 11.1
pattern exericises on the Circle of 5ths - JT 10.7a
Super Locrian scale - JT 20.5b - JT 17.3c
symmetric scales - JT 1.2 - JT 1.3 - JT 1.4
whole-tone scale - JT 1.3

scale progression
the three levels of a song - Intro.2

scale-tone
chord progression of the major scale - JT 13.3
seventh chords of the major scale - JT 12.4 - JT 12.4a
seventh chords of the harmonic minor scale - JT 17.3
terminology for the major scale
triad chords of the major scale - JT 6.4 - JT 6.4a

semibreve (note length) - note & rest values

semitone (interval) - JT 1.1 - JT 13.1

semiquaver (note length) - note & rest values

Seventh chords - JT 8 - JT 12
Seventh chords Ruler - JT 8.9

Serenade (F.Schubert) - JT 10.5

Simons & Marks - JT 10.6a

6 and 69 chords - JT 8.8 - JT 20.1

sixteenth note (note length) - note & rest values

skeleton chords - JT 19.2

songs (Overview) - Studio One
for chord analysis - JT Intro.7
for interval ear training perfect - major
music notation for all instruments - Intro.5
song practice - JT 6.5

song format
AABA - JT 12.QA
basic blues - JT 7.2
embellished blues - JT 12.3

Sonnymoon for Two - JT 11.7a - JT 11.7 - JT 11.QA

stable and unstable tones - JT 10.2

staccato - JT 6.5

Stella by Starlight (song) - JT 17.3c

Straight No Chaser (song) - JT 16.4a

Stumpy's Blues - JT 16.4a

subdominant note terminlology for the major scale

submediant note terminlology for the major scale

substitution (of chords) - JT 13.4a
double tritone substitution - JT 19-Appendix - JT 19.QA1
in the blues : JT 16.3a
tritone substitution - JT 19.4 - JT 19.Qe - JT 19.QA2
IIm7-V7 : JT 16.3

Summer Samba (song) - JT 17.3c

Super Locrian scale - JT 20.5 - JT 20.5a - JT 17.3c - JT 20.4a - JT 20.5b

supertonic note terminlology for the major scale

suspended dominant chord (7sus4) - JT 20.3

symmetric
interval (tritone) - JT 4.7
scales - JT 1.2 - JT 1.3 - JT 1.4
7th chord - JT 8.6a - JT 12.1a
triad - JT 6.2

Swing Time - JT 12.Qg - JT 12.QA - JT 16.1
Swing
tunes - JT 6.5
quavers - JT 6.5



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T.

tempered tuning system - JT 14.2d

tension chords and release chords - JT 20.4

tetrachords - JT 2.2
of the minor 7-note scales - JT 18.2b

There will never be another You (song) - JT 17.3c

This Masquerade (song) - JT 18.4a

tone (interval) - JT 1.1

tonic (1st note of a scale) - JT 2.3a

triad chords - JT 5 - JT 6
augmented triad inversions - JT 6.2
definition - JT 5.1
inversions - JT 6.1
practice - JT 5.6a
qualities - JT 5.6
Triad Chords Ruler - JT 5.7

tritone interval - JT 4.7
in the blues scale - JT 11.6a
in the dominant 7th chord - JT 19.4
in the Lydian mode - JT 14.6a

tritone substitution - JT 19.4 - JT 19.Qe - JT 19.QA2
double tritone substitution - JT 19-Appendix - JT 19.QA1

turnaround - JT 16.4 - JT 19.QA



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U.

undertone (overtones) - JT 9.4a

unstable and stable tones - JT 10.2



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V.

Velocitiy Blues (song) - JT 7.5

voicings (for keyboard chords) - JT 6.3 - JT 12.3a - JT 13.5 - JT 19.3a



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W. - X. - Y. - Z.

Welles, Orson - JT 1.6

What are You doing the Rest of your Life (song) - JT 18.4a

When You're not there (song) - JT 18.5

whole-tone scale - JT 1.3 - JT 20.2


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© 1998 Michael Furstner (Jazclass)