G - H - I - J - K - L
M - N - O - P - Q - R
S - T - U - V - WXYZ
(Down - Up - Links)
(Down - Up - Top - Links) B. Bach, Johan Sebastian - JT 10.5 - JT 13.3a - JT 13.4a - JT 14.2d ballad - JT 6.5 Basic Blues in C - JT 7.3 bass players - JT 17.3b Bb- instruments (song notation) - Intro.5 - JT 7.7 II-V-I practice routines - JT 16.5a - JT 17.4b beats (on beat and off beat) - JT 6.5 Black Orpheus (song) - JT 17.3c Bloom, Rube - JT 10.6a - JT 13.4 blue notes - JT 7.6 Blues - JT 7 basic format - JT 7.2 chord substitutions - JT 16.3a Embellished blues - JT 12.3 harmony - JT 7.4 improvisation - JT 7.6 - JT 11.5a minor blues - JT 7.6 - JT 20.6 origin - JT 7.1 II-V-I blues - JT 16.4 Velocity Blues (song) - JT 7.5 Blues for Wally - JT 20.6 blues riff - JT 11.7 Three Blues riffs - JT 12.3a - JT 11.Qc - JT 11.QA blues scale - JT 7.6 - JT 11.6 - JT 11.7a - JT 18.2 books for reference - Intro.8 Fake book - Intro.8 School of Velocity (Opus 299) - JT 7.5 bridge (of a song) - JT 12.QA1 'Rhythm bridge' - JT 12.QA2 broken chord patterns on the Circle of 5ths - JT 10.7b Bud's Blues - JT 11.7a - JT 11.QA (Down - Up - Top - Links) C. C- (concert key) instruments (song notation) - Intro.5 IIm7-V7-Imaj7 practice routine - JT 16.5a IIø-V7-Im practice routines - JT 17.4 Cadence - JT 7.4 Perfect - JT 7.4b - JT 10.QA Plagal - JT 7.4a - JT 10.QA Carmichael, Hoagy - JT 10.6a - JT 13.4 - JT 19.Qe - JT 19.QA 'child' (overtone) - JT 9.6 Chopin, Frederic - JT 10.5a chord - JT 5 - JT 6 - JT 8 - JT 12 alterations - JT 8.8a altered chord (7alt) - JT 20.4 augmented 7 chord (+7, or 7aug) - JT 20.2 broken chord (arpeggio) exercises on the Circle of 5ths - JT 10.7b Chord Inversion Diagrams - JT 6.5f Chord Letters Diagrams - JT 5.8i chord / scale (or mode) relationship - JT 15.1 - JT 15.1a - JT 15.2a - JT 16.2 essential chord tones - JT 19.1 extensions - JT 8.8a - JT 19.3a forward motion - JT 5.1a function analysis - JT 15.2a - JT 12.6 - JT 15.2 families - JT 12.5 keyboard range - JT 5.6a - JT 6.3 major and minor 6 and 69 chords - JT 20.1 scale-tone seventh chords - JT 12.4 - JT 12.5a - JT 15.1 scale-tone triad chords - JT 6.4 - JT 6.4a seventh chords - JT 8.1 - JT 8.7 seventh chord inversions - JT 12.1 seventh chords practice - JT 8.7a Seventh Chords Ruler - JT 8.9 skeleton chords - JT 19.2 suspended chord (7sus4 ) - JT 20.3 tension chords and release chords - JT 20.4 triads - JT 5 - JT 6 triad chord inversions - JT 6.1 triad chords practice - JT 5.6a Triad Chords Ruler - JT 5.7 chord progression Basic blues - JT 7.3 Embellished blues - JT 12.3 movement in 3rds - JT 19.3c Scale-tone chord progression - JT 13.3 - JT 13.3a - JT 13.4 the three levels of a song - Intro.2 Im7 - VIm7 - IIm7 - V7 progression : Swing Time - JT 12.QA - JT 19.QA IIm7 - V7 - Imaj7 Progression - JT 16.1 - JT 19.QA IIø - V7 - Im Progression - JT 17.3 - JT 17.4 - JT 19.QA IIø - V7b9 - Im7 Progression - JT 17.3b - JT 17.4a IIø - V7alt - Im7 progression - JT 20.4b IIm7 - bII7 - Imaj7 - JT 19.6 Im - ImM7 - Im7 - VIø - bVImaj7 - V7 Progression - JT 18.4 - JT 18.5a chord substitution - JT 13.4a - JT 19.6b double tritone - JT 19-Appendix - JT 19.QA1 - JT 19.QA2 plurality - JT 19.3 tritone - JT 19.4 - JT 19.QA2 IIm7 - V7 : JT 16.3 chromatic scale - JT 1.2 Church modes - JT 14.2c Circle of Fifths - JT 10.3 application - JT 10.4 Classical examples - JT 10.5 Chromatic Circle (tritone substitutions) - JT 19.5 exercises - JT 10.7 Jazz examples - JT 10.6 relationship with pentatonic scales - JT 11.3 relationship with major scale - JT 13.2 Circle of Fourths - JT 10.3c C Jam Blues - JT 11.7a Classical examples of the Circle of 5ths - JT 10.5 songs for chord analysis - JT Intro.7 suspended chord - JT 20.3a closed position (chord voicings) - JT 6.1 - JT 6.3 - JT 6.3b coins (Lydian payment system) - JT 14.6 compound intervals - JT 3.5 contemprary sound - JT 14.6a Course exercises (general) - Intro.3 - Intro.6 devices - Intro.3a crotchet (note length) - note & rest values Czerny, Carl - JT 7.5 (Down - Up - Top - Links) D. Debussy, Claude JT 1.3c Desafinado (song) - JT 17.3c Diagrams Chord Inversion Diagrams - JT 6.5f Chord Letters Diagrams - JT 5.8i Keyboard Diagrams - JT 2.4c Scale Letters Diagrams - JT 2.4d diatonic scale diminished 8-note diminished scale - JT 1.4a - JT 15.4 half diminished chord - JT 8.5 intervals - JT 4.1 - JT 4.3 - JT 4.8 scale-tone 7th chord - JT 17.3a 7th chord - JT 8.6 - JT 15.4 - JT 19-Appendix 7th chord inversions - JT 12.1a triad - JT 5.4 dominant 8-note dominant scale - JT 1.4 - JT 15.4a - JT 20.4b - JT 19-Appendix Gershwin dominant - JT 20.Qi note of the major scale 7th chord - JT 8.3 - JT 15.4a to tonic cadence (perfect cadence) - JT 7.4b - JT 10.3b - JT 10.QA Dorian tetrachord - JT 2.2 - JT 18.2b Dorian mode - JT 14.4 - JT 14.3a - JT 16.2 - JT 18.2a - JT 19.3a - JT 20.1a chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a use in improvisation - JT 18.3 double tritone chord substitution - JT 19.QA1 - JT 19-Appendix (Down - Up - Top - Links) E. ear training (intervals) - JT 3.6 - JT 4.8 Eb- instruments (song notation) - Intro.5 - JT 7.7 II-V-I practice routines - JT 16.5a - JT 17.4b Embellished Blues - JT 12.3 - JT 12.3a enharmonic equivalent (intervals) - JT 4.1a - JT 4.2a eighth note (note length) - note & rest values Ellington, Duke - JT 11.7a - JT 13.4a - JT 16.Qa essential chord tones - JT 19.1 even quavers (half-beat notes) - JT 6.5 exercises (general) - Intro.3 - Intro.6 devices - Intro.3a on the Circle of 5ths - JT 10.7 (Down - Up - Top - Links) F. Feelings (song) - JT 18.4a Fly me to the Moon (song) - JT 13.Qc - JT 13.QA - JT 16.1 - JT 15.Qc - JT 15.QA Friends Forever (song) - JT 13.Qg - JT 13.QA2 - JT 16.1 Fool Rush In (song) - JT 10.6a - JT 13.4 - JT 16.1 format AABA - JT 12.QA ABA - JT 13.QA2 basic blues - JT 7.2 forward motion (chords) - JT 5.1a fundamental (overtone) - JT 9.1 - JT 10.1 - JT 11.3a (Down - Up - Top - Links) G. Georgia on my Mind (song) - JT 19.Qe - JT 19.QA1 - JT 19.QA2 - JT 19-Appendix Gershwin, George - JT 10.6a - JT 12.QA - JT 13.4 Gershwin dominant - JT 20.Qi Glareanus, Henricus (monk) - JT 14.2c Gnossiennes (songs) - JT Intro.7 'grandparent' (overtone) - JT 9.6 Gregory the Great (Pope) - JT 14.2c Greek music, ancient - JT 2.2 ancient Greek modes - JT 14.2 - JT 14.2b - JT 17.1 ancient Greek music regions - JT 14.2a Gymnopedies (songs) - JT Intro.7 Gypsy tetrachord - JT 2.2 - JT 18.2b (Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) C. C- (concert key) instruments (song notation) - Intro.5 IIm7-V7-Imaj7 practice routine - JT 16.5a IIø-V7-Im practice routines - JT 17.4 Cadence - JT 7.4 Perfect - JT 7.4b - JT 10.QA Plagal - JT 7.4a - JT 10.QA Carmichael, Hoagy - JT 10.6a - JT 13.4 - JT 19.Qe - JT 19.QA 'child' (overtone) - JT 9.6 Chopin, Frederic - JT 10.5a chord - JT 5 - JT 6 - JT 8 - JT 12 alterations - JT 8.8a altered chord (7alt) - JT 20.4 augmented 7 chord (+7, or 7aug) - JT 20.2 broken chord (arpeggio) exercises on the Circle of 5ths - JT 10.7b Chord Inversion Diagrams - JT 6.5f Chord Letters Diagrams - JT 5.8i chord / scale (or mode) relationship - JT 15.1 - JT 15.1a - JT 15.2a - JT 16.2 essential chord tones - JT 19.1 extensions - JT 8.8a - JT 19.3a forward motion - JT 5.1a function analysis - JT 15.2a - JT 12.6 - JT 15.2 families - JT 12.5 keyboard range - JT 5.6a - JT 6.3 major and minor 6 and 69 chords - JT 20.1 scale-tone seventh chords - JT 12.4 - JT 12.5a - JT 15.1 scale-tone triad chords - JT 6.4 - JT 6.4a seventh chords - JT 8.1 - JT 8.7 seventh chord inversions - JT 12.1 seventh chords practice - JT 8.7a Seventh Chords Ruler - JT 8.9 skeleton chords - JT 19.2 suspended chord (7sus4 ) - JT 20.3 tension chords and release chords - JT 20.4 triads - JT 5 - JT 6 triad chord inversions - JT 6.1 triad chords practice - JT 5.6a Triad Chords Ruler - JT 5.7 chord progression Basic blues - JT 7.3 Embellished blues - JT 12.3 movement in 3rds - JT 19.3c Scale-tone chord progression - JT 13.3 - JT 13.3a - JT 13.4 the three levels of a song - Intro.2 Im7 - VIm7 - IIm7 - V7 progression : Swing Time - JT 12.QA - JT 19.QA IIm7 - V7 - Imaj7 Progression - JT 16.1 - JT 19.QA IIø - V7 - Im Progression - JT 17.3 - JT 17.4 - JT 19.QA IIø - V7b9 - Im7 Progression - JT 17.3b - JT 17.4a IIø - V7alt - Im7 progression - JT 20.4b IIm7 - bII7 - Imaj7 - JT 19.6 Im - ImM7 - Im7 - VIø - bVImaj7 - V7 Progression - JT 18.4 - JT 18.5a chord substitution - JT 13.4a - JT 19.6b double tritone - JT 19-Appendix - JT 19.QA1 - JT 19.QA2 plurality - JT 19.3 tritone - JT 19.4 - JT 19.QA2 IIm7 - V7 : JT 16.3 chromatic scale - JT 1.2 Church modes - JT 14.2c
(Down - Up - Top - Links) D. Debussy, Claude JT 1.3c Desafinado (song) - JT 17.3c Diagrams Chord Inversion Diagrams - JT 6.5f Chord Letters Diagrams - JT 5.8i Keyboard Diagrams - JT 2.4c Scale Letters Diagrams - JT 2.4d diatonic scale diminished 8-note diminished scale - JT 1.4a - JT 15.4 half diminished chord - JT 8.5 intervals - JT 4.1 - JT 4.3 - JT 4.8 scale-tone 7th chord - JT 17.3a 7th chord - JT 8.6 - JT 15.4 - JT 19-Appendix 7th chord inversions - JT 12.1a triad - JT 5.4 dominant 8-note dominant scale - JT 1.4 - JT 15.4a - JT 20.4b - JT 19-Appendix Gershwin dominant - JT 20.Qi note of the major scale 7th chord - JT 8.3 - JT 15.4a to tonic cadence (perfect cadence) - JT 7.4b - JT 10.3b - JT 10.QA Dorian tetrachord - JT 2.2 - JT 18.2b Dorian mode - JT 14.4 - JT 14.3a - JT 16.2 - JT 18.2a - JT 19.3a - JT 20.1a chord mode relationship - JT 15.1 - JT 15.1a - JT 15.2a use in improvisation - JT 18.3 double tritone chord substitution - JT 19.QA1 - JT 19-Appendix (Down - Up - Top - Links) E. ear training (intervals) - JT 3.6 - JT 4.8 Eb- instruments (song notation) - Intro.5 - JT 7.7 II-V-I practice routines - JT 16.5a - JT 17.4b Embellished Blues - JT 12.3 - JT 12.3a enharmonic equivalent (intervals) - JT 4.1a - JT 4.2a eighth note (note length) - note & rest values Ellington, Duke - JT 11.7a - JT 13.4a - JT 16.Qa essential chord tones - JT 19.1 even quavers (half-beat notes) - JT 6.5 exercises (general) - Intro.3 - Intro.6 devices - Intro.3a on the Circle of 5ths - JT 10.7 (Down - Up - Top - Links) F. Feelings (song) - JT 18.4a Fly me to the Moon (song) - JT 13.Qc - JT 13.QA - JT 16.1 - JT 15.Qc - JT 15.QA Friends Forever (song) - JT 13.Qg - JT 13.QA2 - JT 16.1 Fool Rush In (song) - JT 10.6a - JT 13.4 - JT 16.1 format AABA - JT 12.QA ABA - JT 13.QA2 basic blues - JT 7.2 forward motion (chords) - JT 5.1a fundamental (overtone) - JT 9.1 - JT 10.1 - JT 11.3a (Down - Up - Top - Links) G. Georgia on my Mind (song) - JT 19.Qe - JT 19.QA1 - JT 19.QA2 - JT 19-Appendix Gershwin, George - JT 10.6a - JT 12.QA - JT 13.4 Gershwin dominant - JT 20.Qi Glareanus, Henricus (monk) - JT 14.2c Gnossiennes (songs) - JT Intro.7 'grandparent' (overtone) - JT 9.6 Gregory the Great (Pope) - JT 14.2c Greek music, ancient - JT 2.2 ancient Greek modes - JT 14.2 - JT 14.2b - JT 17.1 ancient Greek music regions - JT 14.2a Gymnopedies (songs) - JT Intro.7 Gypsy tetrachord - JT 2.2 - JT 18.2b (Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) E. ear training (intervals) - JT 3.6 - JT 4.8 Eb- instruments (song notation) - Intro.5 - JT 7.7 II-V-I practice routines - JT 16.5a - JT 17.4b Embellished Blues - JT 12.3 - JT 12.3a enharmonic equivalent (intervals) - JT 4.1a - JT 4.2a eighth note (note length) - note & rest values Ellington, Duke - JT 11.7a - JT 13.4a - JT 16.Qa essential chord tones - JT 19.1 even quavers (half-beat notes) - JT 6.5 exercises (general) - Intro.3 - Intro.6 devices - Intro.3a on the Circle of 5ths - JT 10.7 (Down - Up - Top - Links) F. Feelings (song) - JT 18.4a Fly me to the Moon (song) - JT 13.Qc - JT 13.QA - JT 16.1 - JT 15.Qc - JT 15.QA Friends Forever (song) - JT 13.Qg - JT 13.QA2 - JT 16.1 Fool Rush In (song) - JT 10.6a - JT 13.4 - JT 16.1 format AABA - JT 12.QA ABA - JT 13.QA2 basic blues - JT 7.2 forward motion (chords) - JT 5.1a fundamental (overtone) - JT 9.1 - JT 10.1 - JT 11.3a (Down - Up - Top - Links) G. Georgia on my Mind (song) - JT 19.Qe - JT 19.QA1 - JT 19.QA2 - JT 19-Appendix Gershwin, George - JT 10.6a - JT 12.QA - JT 13.4 Gershwin dominant - JT 20.Qi Glareanus, Henricus (monk) - JT 14.2c Gnossiennes (songs) - JT Intro.7 'grandparent' (overtone) - JT 9.6 Gregory the Great (Pope) - JT 14.2c Greek music, ancient - JT 2.2 ancient Greek modes - JT 14.2 - JT 14.2b - JT 17.1 ancient Greek music regions - JT 14.2a Gymnopedies (songs) - JT Intro.7 Gypsy tetrachord - JT 2.2 - JT 18.2b (Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) F. Feelings (song) - JT 18.4a Fly me to the Moon (song) - JT 13.Qc - JT 13.QA - JT 16.1 - JT 15.Qc - JT 15.QA Friends Forever (song) - JT 13.Qg - JT 13.QA2 - JT 16.1 Fool Rush In (song) - JT 10.6a - JT 13.4 - JT 16.1 format AABA - JT 12.QA ABA - JT 13.QA2 basic blues - JT 7.2 forward motion (chords) - JT 5.1a fundamental (overtone) - JT 9.1 - JT 10.1 - JT 11.3a (Down - Up - Top - Links) G. Georgia on my Mind (song) - JT 19.Qe - JT 19.QA1 - JT 19.QA2 - JT 19-Appendix Gershwin, George - JT 10.6a - JT 12.QA - JT 13.4 Gershwin dominant - JT 20.Qi Glareanus, Henricus (monk) - JT 14.2c Gnossiennes (songs) - JT Intro.7 'grandparent' (overtone) - JT 9.6 Gregory the Great (Pope) - JT 14.2c Greek music, ancient - JT 2.2 ancient Greek modes - JT 14.2 - JT 14.2b - JT 17.1 ancient Greek music regions - JT 14.2a Gymnopedies (songs) - JT Intro.7 Gypsy tetrachord - JT 2.2 - JT 18.2b (Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) G. Georgia on my Mind (song) - JT 19.Qe - JT 19.QA1 - JT 19.QA2 - JT 19-Appendix Gershwin, George - JT 10.6a - JT 12.QA - JT 13.4 Gershwin dominant - JT 20.Qi Glareanus, Henricus (monk) - JT 14.2c Gnossiennes (songs) - JT Intro.7 'grandparent' (overtone) - JT 9.6 Gregory the Great (Pope) - JT 14.2c Greek music, ancient - JT 2.2 ancient Greek modes - JT 14.2 - JT 14.2b - JT 17.1 ancient Greek music regions - JT 14.2a Gymnopedies (songs) - JT Intro.7 Gypsy tetrachord - JT 2.2 - JT 18.2b (Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) H. half diminished chord (ø) - JT 8.5 half note (note length) - note & rest values Hammerstein, Oscar - JT 13.Qc - JT 13.QA Hancock, Bruce - JT 19-Appendix Hancock, Herbie - JT 20.3a harmonic intervals - JT 1.1 harmonic minor scale - JT 17.2 - JT 18.2a use in improvisation - JT 18.3b harmonic minor scale modes - JT 17.4 Harmonic minor scale Ruler - JT 17.5 harmonic minor scale-tone chords - JT 17.3 harmony of the basic blues - JT 7.4 Harry Lime motif - JT 1.6 Heart and Soul (song) - JT 10.6a - JT 13.4 - JT 16.1 - JT 19.QA1 Hindu scale - JT 20.5a Howard, Bart - JT 13.6c - JT 13 Quiz Answers How Insensitive (song) - JT 17.3c (Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) I. 'I Got Rhythm' (song) - JT 110.6a - JT 12.QA2 - JT 13.4 - JT 16.1 - JT 19.QA1 improvisation on the blues - JT 7.6 - JT 11.5a over Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5a scales for improvisation - JT 15.3 - JT 15.2 - JT 20.5b - JT 12.5 the three levels of a song - Intro.2a using modes - JT 14.2d - JT 14.3 In a Sentimental Mood (song) - JT 18.4a instruments music notation for all instruments - Intro.5 intervals (Overview) - JT 4.8a ear training - JT 3.6 - JT 4.8 identification - JT 4.5 inversions - JT 4.6 - JT 4.6a Interval Qualities Diagram (IQD) - JT 4.4a melodic and harmonic - JT 1.1 symmetric interval - JT 4.7 tritone - JT 4.7a interval classification - JT 3.2 - JT 4.4 augmented intervals - JT 4.1 - JT 4.2 compound intervals - JT 3.5 diminished intervals - JT 4.2 - JT 4.3 enharmonic equivalents - JT 4.1a - JT 4.2a major intervals - JT 3.4 - JT 4.3 major scale intervals - JT 3.4a minor intervals - JT 4.2 - JT 4.3 number - JT 3.2 perfect intervals - JT 3.3 - JT 9.5 quality - JT 3.3 Quality Relationship Diagram (QRD) - JT 4.4a inversions augmented triad - JT 6.2 Chord Inversion Diagrams - JT 6.5f diminished 7th chord (o7) - JT 12.1a intervals - JT 4.6 - JT 4.6a seventh chord Inversions - JT 12.1 triad chords - JT 6.1 Ionian mode (major scale) - JT 14.2b - JT 14.2d It don't mean a Thing (song) - JT 18.4a I Told You So (song) - JT 16.1a (Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) J. Jazz ballad - JT 6.5 examples on the Circle of 5ths - JT 10.6 improvisation using modes - JT 14.2d - JT 14.3 scales for improvisation - JT 15.3 - JT 15.2a - JT 20.5b songs for chord analysis - JT Intro.7 swing style (songs) - JT 6.5 Javanese scale - JT 20.5a Jobin, Antonio Carlos - JT 12.6b - JT 11.QA - JT 17.3c (Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
(Down - Up - Top - Links) K. Kern, Jerome - JT 136c - JT 13.QA keyboard chord inversions practice - JT 12.2 chord voicings for embellished blues (in C) - JT 12.3a 'comping' (chord accompaniment) - JT 6.3 - JT 6.3b - JT 19.3b devices - Intro.3a fingering rules - Intro.4 Keyboard Diagrams - Intro.3a key patterns - Intro.3b left hand voicings for Im - ImM7 - Im7 - VIø - bVImaj7 - V7 : JT 18.5 playing range for chords - JT 6.3 scale-tone chord progression voicings - JT 13.5 - JT 13.5a - JT 13.5b song notation - Intro.5 II-V-I practice routine - JT 16.5a IIø - V7b9 - Im7 voicings - JT 17.3b key signature - JT 10.QA - JT 17.1 Subject Index Part 2 (Up - Top - Links)© 1998 Michael Furstner (Jazclass)
